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The calculation showed it as So, in this case one would need to manually correct the tempo by typing in 67bpm — and, although the detected tempo was only 13 ticks out, it would make sense to round these calculations up or down. The BPM detection menu. Notice the question mark, indicating that the tempo of the object has yet to be analysed. The Samplitude Pro X3 package comes with a free copy of Melodyne Essential to get you up and running, but if you already have Melodyne 4 on your system, it will automatically utilise that version.
Previously, you could only use Melodyne as a VST plug-in in Samplitude, which could be a cumbersome process: you needed to transfer audio into the Melodyne editor in real time by pressing the transfer button and pressing Play in your DAW.
Melodyne then scans the audio file faster than real time, with no transfer needed; once scanned, the Melodyne window will then open giving you access to its innovative editing and pitch-correction features. If you then look at the Object Editor, you will notice that Melodyne has been automatically inserted into the effect insert slot. One of the big advantages of ARA integration is that you can now position the play cursor anywhere along the Melodyne editor timeline, making it much easier to start playback in the right place when editing.
You can then insert a virtual instrument on that track and double up the original audio with a synth sound of your choice. You can choose different skin variations, including the length of faders and nine mixer sizes to use with different screen resolutions. He has also created a skin editor utility for enhanced customisation.
The native Samplitude mixer skins Camo, Canis and Carbon have also received some Spyros treatment in Pro X3, and there is now a choice of four different-height mixer skins with different fader lengths, including a slim version.
One improvement I noticed is that previously, if you tried to make the mixer smaller by resizing, Samplitude tended to pixelate the graphics. This has finally been fixed and resizing no longer causes corruption of the GUI. Also in previous versions, when you added tracks to a project you needed to manually resize the mixer to see the extra tracks.
This no longer happens and the mixer is resized automatically — a small but important fix that resolves what was something of a bugbear for me in the past. The Info Manager is divided into three sections.
Project Commentary can be used for typing in notes about the project and is always visible, while Track Commentary works on a per-track basis: select a track and type in your info for that track in the text area — select another track, and the text area will be blank, ready for typing in info for the newly selected track.
Track Commentary thus gives you individual notepads for every track in the project. Object Commentary works in a similarly dynamic way, allowing you to type in notes for the currently selected object. When you select another object, the notepad will be blank and you can add a commentary for that object. As an example, if you have a project containing tracks you will have individual Track Commentary notepads for all those tracks — and if that project contains, say, audio and MIDI objects, the info manager will give you individual Object Commentary notepads, one for each of the objects.
Info Manager notes are saved with the project. Bearing in mind there is already a comments section at the bottom of the Track Editor and in the Object Editor, you should never be short of places to make notes! If you activate the Show on Start tickbox, this window will pop up every time you open the project. The Info Manager seems to interact with these other comments sections, which is good. The Sony acquisition also included the current software development team, so it will be interesting to see what the future brings for these products.
In my previous Sound On Sound review of Samplitude Pro X2 I bemoaned the lack of audio warping features; Magix have finally addressed this in Pro X3 and, along with the implementation of Melodyne ARA, I feel this alone is worth the upgrade price, although there are plenty of other attractive new additions.
Samplitude Pro X3 feels like a very well-rounded release, and I look forward to future developments from the talented team in Dresden, Germany. The Suite version of Samplitude Pro X3 includes a number of handy mastering add-ons that were previously only available in the very expensive Sequoia The idea is that these allow you to preview how your mix will sound once encoded, in real time and without having to bounce the project.
The MP3 Preview plug-in gives you a selection of quality settings, from 48kbps at Hz up to kbps at The AAC Preview plug-in has five different encoder types and four quality settings, and can encode bit rates from kbps up to kbps.
Once you have chosen your preferred encoder quality, whether it be MP3 or AAC, you have two choices when it comes to making your final lossy master. The other option is the much faster offline bounce, but in this situation you would need to bypass the Encoder Preview plug-in and replicate your encoder choices in the Format Settings of the bounce dialogue window.
This is not ideal from a workflow point of view, so perhaps in a future version it would be good to have an option to transfer the encoder settings from the Preview plug-in to the Bounce dialogue.
All in all, though, this is a very useful addition, although you will need to upgrade to or buy Pro X3 Suite to benefit from it. The same is true of the DDP export feature, previously only available in Sequoia but now included in Pro X3 Suite due to popular demand. You can also import existing DDP projects from the File menu. In total, the Suite version of Samplitude now comes with a total of 24 virtual instruments including the full Independence Pro 70GB sample library.
The non-Suite version of Samplitude comes with 20 virtual instruments which includes the Independence sampler but with just a 12GB library. There is even an accordion VSTi so you can finally compose your Volksmusik concept album. What do these Vita instruments sound like? Pretty decent, I would say. They may not replace some of your favourite third-party VSTis, but they certainly have their own character and flavour which will add colour to any composition. I do have a couple of criticisms about the Magix virtual instruments, though.
Quibbles aside, though, you get a pretty impressive collection of virtual instruments regardless of which version you buy, giving you an extensive set of tools for composition and production right out of the box.
View all features. B Close. Start download. The recording studio for home Customize the interface to suit your style and create beats and bass lines using a MIDI controller. Everything for professional music production: Effortless recording: Record song ideas quickly and easily Your own productions: A wealth of virtual instruments, loops and sounds Solo jam sessions: Jam to backing tracks Quick start: Helpful tutorials to help get you started bit support: Test the increase in performance by using more RAM.
Samplitude Music Studio Start download.